Saturday, March 31, 2012
Rembrandtplein
Gypsy
Thursday, March 29, 2012
Because He’s British?
Tuesday, March 27, 2012
You Think I’d Admit It By Now
Sunday, March 18, 2012
Saturday
Can't You Read?
Um, there was one more thing...see, what had happened...
Sarphatipark is rectangular in design. A long, thin lake divides the park into two sides: one for dogs and one for um, well, let's just say that dogs are supposed to stay on the one side. I wish Chelsea knew that. I cut her loose and she did exactly what Ronan predicted: she'll check out her favorite spots. She'll mark the territory, and she'll do her business. Yeah, see it was the do her business part that was a tiny bit unclear (to me; the dog didn't seem to care about rules regarding where dogs should and shouldn't be.)
It was at about mid-field of the pee-wee soccer game that Chelsea did her business. I did feel a little sorry for the guy walking by who caught the ire of the parents on the sidelines. I don't understand much Dutch, but believe me, I swear I almost understood him as he explained, "That aine my dog!
Like cute kids everywhere, this one gets away with murder!
What did I do? I grabbed a handful of leaves from the wooded section and removed the problem. OK, it was kinda funny (especially when they started yelling at the poor man minding his own business!)
Sunday, March 11, 2012
Mauritshuis
With over 800 paintings, the Mauritshuis is home to many, many works by the Dutch masters including Rembrandt van Rijn, Pieter Paul Reubens, and Johannes Vermeer. For me the main reason to visit (in fact, one of the main reasons to live and work in the Netherlands) is the opportunity to see The Girl with the Pearl Earring. Little is known about the “Mona Lisa of the North.” Painted during the short life of Vermeer (1632-1675), Het Meisje met de Parel is a “tronie”—a 17th century Dutch description of a “head” not meant to be a portrait, which would indicate that the girl is a composite, not a sitting model (despite the recent fictionalized account by Tracey Chevalier in her novel by the same name).
Het Meisje met de Parel, Johannes Vermeer
It is believed that Vermeer was apprenticed at an early age to Carel Fabritius, although no one is sure. Fabritius's painting of a captive goldfinch was among my personal favorites in the entire collection.
Het Puttertje (The Goldfinch), Carel Fabritius, 1654
Conveniently lending his name and legacy to everything from toothpaste to art supplies, Rembrandt van Rijn (1606-1669) is the greatest of the great Dutch masters. His work is mesmerizing. Looking at any of Rembrandt’s fifty self-portraits is looking into his soul. The paintings seem to stare back.
When my time in Holland is over, I won’t soon forget my day at the Mauritshuis or the girl who lives there.
Payin’ It Forward
I am starting to get used to a particular brand of kindness. I don’t have a name for it because kindness is kindness; right? But through two recent examples, I think you’ll know what I mean.
On Saturday my plan was to travel to The Hague to meet my long-time friend and ex-colleague who lives there. Something happened on the way that reminded me of an experience I had on my trip to Normandy. As I have told you, there is a certain anxiety that comes with an approaching train. Let’s face it, either you have it right or you’re about to make a really big mistake. On my travels back to Holland, I felt that growing fear in the Paris St. Lazare metro station as I tried to remember which train and which stop would get me to the train station I needed for the Thayls train north.
I stood staring at the bulletin board at the top of the escalator trying to convince myself I was at the right place. Standing near me, doing something that appeared quite similar was a very old woman. I asked her what I ask anyone in that situation and she replied, “No,” with an undeniable French accent. I held out my train ticket to show her the words “Paris Nord,” which was the name of the station I needed.
Despite her answer and the fact that she wasn’t kidding about not speaking English she took the ticket from my hand. She slowly opened her purse, rather deliberately really; old people don’t rush when rushing doesn’t help. She put on her spectacles and focused on the words to which I was pointing. She began describing in great detail, I presumed, what I needed to do. When she finally took a breath and looked up at me, it was crystal clear to her that I hadn’t understood a single syllable of what she said.
Sooo, she motioned me toward the escalator which led to the platform. Once there she indicated where I should stand and in which direction the train would proceed (or from which it would arrive; I wasn’t sure.) She then sat down on the nearest bench. I remember thinking how fortunate I had been to ask someone who happened to be going the same way as I; or so it seemed. After a full five minutes, she got up and approached me. She touched my arm and pointed to the track and said, “One-two.” She looked up at me and said, “Comprendez vous?” and she repeated, “One-two. Oui?”
“Oui!” I said, and I did. She was telling me with the only English she could muster that we were at “one” (stop) and should I get off the metro at “two” (the next stop.) She patted my arm the way old people do to make you feel better, walked to the escalator—and was gone. You see my point? She had taken me to the platform, waited as long enough as she could then bid me farewell. I think they call that payin’ it forward.
On Saturday as I entered the train destined for the The Hague I sensed that my second-class ticket meant I was in the wrong car. To no one in particular I said, “Is this second-class?” The man closest to me told me that I was in first-class (it did seem nice). He explained that I could sit on the lower level or in another car. No problem, I thanked him and went downstairs. It seemed just as nice, so should have known, but before I was settled, the same man approached me and said, “I am sorry, but what I told you is wrong. You must look for the green seats” (and pointed to the adjoining car.) He then added, “I was afraid they would give you a fine.” (Believe me, stuff like riding local transports without paying and sitting in first-class when you haven’t paid for it never result in warnings!)
Not so long ago as I got off the tram at my local stop there stood two young people staring intently at their map (as I have done many, many times.) When I got close enough I said, “May I help you?” The fellow looked up and explained that they wanted to go to Amsterdam Centraal Station and he wasn’t sure how they wound up 30 minutes south in Amstelveen City Centrum. I was; but the explanation wasn’t nearly as important as the solution. After a very brief explanation of what they should do, I hung around the platform long enough to watch them board the #5 and be off.
Payin’ it forward.
Sunday, March 4, 2012
It Aine Gwaz’s but It'll Do
Two-egg omelet with bacon and young gouda cheese
That includes cooking. A few weeks ago, a colleague asked me what I eat, you know, on a regular basis. I had to think. Breakfast is one thing or another. Either I go muesli, crunchy granola, or I make eggs. Ah yes, the eggs. The eggs here are, um, different. Seriously, the shells are harder and the yolks are richer, creamier. To say the least, I like the eggs. For a few weeks I couldn’t get enough. Actually I still can’t. I’ve moved from fried eggs to omelets. Toss in some spek and some yong belegen, fold it over, flip it, zout en peper and some red pepper flakes, and, yeah, Jay’s pretty happy. (I’d be downright ecstatic if I didn’t have to make it myself.)
Easy, right?
During the week, lunch is easy—George’s. That’s what the folks at ISA call the school cafeteria. George’s (yes, there really is a guy named George) is privatized. In essence, George runs a restaurant at our school. It’s good. Actually, it’s great for me.
Fetticini in curry sauce (the peas were undercooked!)
Then there’re dinners. OK, it's never real fancy, but I’m sayin’ Gwaz might be proud of me. Although I haven’t mastered the grocery store, I do well enough to get what I need. My formula is fairly simple; or should I say, my formula is to make it simply. Besides eating in restaurants which is my preference, I've managed a few things a long the way.
Welcome. I Guess That Says It All.
For a guy from Essex by way of little, ole Wake Forest, Amsterdam is a far piece. It’s old. It’s cosmopolitan. It’s diverse (and by diverse I mean you won’t have too much trouble finding the stuff you like.) Amsterdam seems to have it all. So last week when I got it in my head to look for one of my favorite things, I knew the answer was hidden somewhere in town.
Menu photo album--very Asian
Thanks to an eight-week stop over in Phnom Penh and a side-trip to Saigon, this Essex boy is life-long fan of pho. You know what that is? Me either until I asked my tour guide in Vietnam. “Beef nuda suit,” he answered. “May I recommend it to you?” He may. He did. I been hooked ever since.
Deep-fried prawn dumplings
I continue to be thankful I asked. Yes, pho is beef noodle soup, but I prefer pho ga, the chicken noodle version. Once back in NC, Gwaz and I found several pho restaurants; and meals out including pho became a regular thing.
pho ga
I have been without my pho-fix since January (it was one of the last meals Gwaz and I shared before I left.) Yesterday, I changed that. Welcome Vietnamese Restaurant is located at Geldersekade 56, just about a six-minute walk from Centraal Station, where I started my day. After buying four train tickets to and from Paris in anticipation of Jess and Marissa’s visit next month, I set out in search of Welcome.
Hey, it certainly wasn’t Ho Chi Min City pho—it wasn’t even Raleigh, NC pho—but it was darn tasty.