In Bruges, Belgium the map I was using was perfect as a tour
book illustration, but it left a little to be desired for actually finding anything
easily. No worries; I wandered. That’s what I enjoy mostly anyway.
Market Square
First on my list was the Church of Our Lady to see Michelangelo’s
Madonna and Child. After a few decisions that belong under the heading: Let’s See
Other Stuff While We’re Walking, I found it. As it turns out, it’s the tallest
building in the neighborhood and the second tallest brick building in the world! (...and I was having trouble finding it; what's that tell you?) My problem (in addition to the map) was I couldn’t
find a sign confirming that I was, in fact, at the right church. I did what every
tourist does…I stood in line hoping I wasn’t wasting my time. Seriously, the signage
on the entrance said: Bruggemuseum. (Brugge is the Flemish spelling of Bruges.)
How was I to know? Based on the size of the crowd trying to get in, I kinda
figured.
The Church of Our Lady
It didn’t disappoint. Madonna and Child is ineffable. My research
revealed that Madonna and Child was the only piece created by Michelangelo to leave
Italy in his lifetime. Originally commissioned by Cardinal Francesco Piccolomini
as an altar piece, the work was sold to Jan de Moscron, who donated it in 1514
to the Church of Our Lady.
Madonna and Child, Michelangelo 1504
Madonna and Child is all but overshadowed by the ostentatious
altar that surrounds it. Smaller than life-size, the statue was probably designed
to be viewed a different angle than its current perch. It is not hard to appreciate
the genius of this little piece, but make no mistake; tourists are kept well back
from it (and it is protected from who-knows-what by plexiglass.)
A fitting home?
I read that Michelangelo created Madonna and Child at the same
time he created David. I also learned that the way the statue was polished is an
indication that the artist was highly satisfied with the work. (Does that mean he
didn’t polish the ones he didn’t like? Wait, there were ones he didn’t like?)
For me, Madonna and Child made nearly ten hours on trains all
worth it. It is startlingly beautiful. (Maybe just because I very much appreciate
the opportunity to see the work of Michelangelo.) Maybe it's the way Madonna and Child conveys
emotion. I wish you could see the hands. Captured precisely as a child would search
for the comfort of his mother’s hand, the hands are alive in marble.
The rest of the church really is a museum. I can’t tell you much
about the art displayed throughout the church, but I can tell you there is a ton
of it. From statuary to paintings to the tombs of Mary of Burgundy and her father,
Charles the Bold, the Church of Our Lady created for me life-long memories.
Charles the Bold (1433-1477) and his daughter, Mary of Burgundy (1457-1482)
No comments:
Post a Comment